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In memoriam: Emanuel Ungaro

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Anh Duong and models in Emanuel Ungaro Haute Couture photographed by Deborah Turbeville, 1985
Emanuel Ungaro Couture at the Château de Raray, Vogue, December 1985. Photo: Deborah Turbeville.

Farewell to Emanuel Ungaro, one of the great couturiers to emerge from the twentieth century.

Read his Vogue obituary.

Emanuel Ungaro photographed by Irving Penn, 1985
Emanuel Ungaro photographed by Irving Penn, Vogue, December 1985. Image: Vogue.com.

A Good Day for Tartan

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1960s coat, skirt, and short pants pattern Vogue Special Design 7175
Vogue 7175 (1967) Coordinates.

In honour of Tartan Day, a Sixties Vogue Special Design for coordinates, shown in what looks to be the Munro tartan.

Alba gu bràth!

Free Designer Pattern: Mary Quant Georgie Dress

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Georgie dress by Mary Quant (ca. 1962) Image: V&A.

As part of its recent Mary Quant exhibit, the V&A shared a pattern for an early Quant design. The Georgie dress dates to the Bazaar days, before Quant’s deal with Butterick.

Photo: Richard Davis. Image: Harper’s Bazaar.
King's Road plaque: Dame Mary Quant, Fashion Designer, opened her boutique Bazaar on this site in 1955
King’s Road Bazaar plaque. Image: Fashion Network.

The V&A’s Georgie dress— purchased new in Truro, Cornwall — is striped cotton lined with cotton batiste.

'Georgie' dress, Mary Quant, 1962, England. Museum no. T.74-2018. © Victoria and Albert Museum, London. Given by Sarah E. Robinson
Georgie dress by Mary Quant, ca. 1962. Gift of Sarah E. Robinson. Image: V&A.

As Quant’s archive shows, the dress was also available in taffeta-lined chiffon as the Rosie, in black, pink, or jade.

1960s design for 'Georgie' and 'Rosie' dress by Mary Quant
Design for ‘Georgie’ and ‘Rosie’ dress by Mary Quant (ca. 1961-65) Image: V&A.

The Georgie pattern was developed from Quant’s original by London’s Alice & Co Patterns, a mother and daughter team with a connection to the museum: the younger generation, Lilia Prier Tisdall, works there as a costume display specialist.

Mary Quant’s Georgie dress in Ray Stitch fabric. Sewing pattern designed by Alice and Co Patterns. Image © Victoria and Albert Museum, London.

The dress has a surplice bodice, three-quarter sleeves, pleated skirt, and sash belt. For the original’s lively, reverse stripe effect, cut the skirt on a different grain than the sleeves and bodice.

Technical drawing for Mary Quant’s Georgie dress. Image: V&A.

The pattern gives detailed instructions, including for the pleated trim.

Making the Georgie dress. Image: V&A.

Download the Georgie dress pattern. (Instructions here.) The pattern has 7 pieces, arranged in 3 formats: A0, A4, and US Letter. Test square included to check scale.

Size: Two size ranges, UK 6–16 and 18–22

Yardage: 4m (4.5 yds) of 45″ fabric, 1m (1 1/8 yds) lining

Recommended fabrics: Soft cotton, cotton blends, or glazed cotton.

Seam allowance: 1cm (3/8″)

Notions: 56 cm (22″) flat zipper, interfacing for belt.

Notes: Skirt, frill, and belt pieces are to be drafted.

Click here for more instalments in my Free Designer Patterns series.

Georgie dress by Mary Quant, ca. 1962. Gift of Sarah E. Robinson. Image: V&A.

In memoriam: Kenzo Takada

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Vibeke Knudsen photographed in a Kenzo dress and skirt ensemble outside Biarritz by Helmut Newton, 1975
Kenzo ensemble photographed in Saint-Jean-de-Luz, Vogue, August 1975. Model: Vibeke Knudsen. Photo: Helmut Newton. Image: Vogue Archive.

Farewell to the singular Kenzo Takada, pioneer of the prêt-à-porter.

Kenzo Takada photographed by Deborah Turbeville, Vogue 1975
Kenzo Takada (bottom left) with models in Vogue, February 1975. Photo: Deborah Turbeville. Image: Vogue Archive.

Read his New York Times obituary.

In memoriam: Stella Tennant

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Stella Tennant in Oscar de la Renta opera coat, Oh, Pioneers! Arthur Elgort / Grace Coddington
Stella Tennant in Oscar de la Renta FW 2001, Vogue, June 2001. Photo: Arthur Elgort. Editor: Grace Coddington. Image: Bellazon.

In memory of Stella Tennant, 1970–2020.

Silk crepe bias-cut dress with gold ivy, Givenchy Haute Couture by Alexander McQueen. "White Noise" photographed by Craig McDean; fashion editor: Melanie Ward.
Stella Tennant in Spring 1997 Givenchy Haute Couture by Alexander McQueen (The Search for the Golden Fleece), Harper’s Bazaar, May 1997. Photo: Craig McDean. Editor: Melanie Ward.

Read her British Vogue obituary.

Plainsong: Chintzy prints brighten dusty gray days. Cabbage-rose taffeta off-the-shoulder gown with matching wrap belt, John Galliano Paris.
Stella Tennant in John Galliano FW 2001 (Techno Romance), Vogue, June 2001. Photo: Arthur Elgort. Editor: Grace Coddington. Image: Vogue.com.

In memoriam: Pierre Cardin

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Short, one-shouldered white crepe evening dress with wide patent belt, Pierre Cardin Spring 1969 haute couture (Vogue Paris Original 2193)
Pierre Cardin Spring 1969 couture, Vogue, March 15, 1969. Photo: Bert Stern. Image: Vogue Archive.

Farewell to Pierre Cardin, the great futurist, couture iconoclast, and lifestyle brand pioneer.

Read his New York Times obituary.

Vogue Pattern Book Centenary

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Winter Fashions (Vogue 7884) illustration on the cover of a 1920s Vogue Pattern Book
Vogue Pattern Book, December–January 1924–25. Illustration: Harriet Meserole. Image: Pinterest.

Did you know? The first issue of Vogue Pattern Book was published in 1920, making 2020 the hundredth anniversary of Vogue Patterns Magazine. Bonus points if you know that the original title was Vogue Pattern Quarterly.

Happy new year, everyone! All the best for 2021.

Libération at 50

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Yves Saint Laurent smoking and shorts, Libération (SS 1971 couture) "Les nouvelles vamps" photographed by Dominique Laporte, L'Officiel March 1971
Yves Saint Laurent smoking and shorts, Spring 1971 haute couture (Libération). “Les nouvelles vamps,” L’Officiel no. 583 (March 1971). Photo: Dominique Laporte. Image: jalougallery.com.

Yves Saint Laurent’s landmark Spring 1971 haute couture collection, Libération, is 50. For more on the designer’s Libération collection, see my 2015 post here.

Yves Saint Laurent 1971: la collection du scandale. Exposition du 19 mars au 19 juillet 2015 - Fondation Pierre Bergé - Yves Saint Laurent
Yves Saint Laurent 1971: la collection du scandale. Model: Willy Van Rooy. Photo: Hans Feurer.
John Cowan, Yves Saint Laurent Libération collection opening the Paris report in Vogue, March 15, 1971
Yves Saint Laurent Libération collection in Vogue, March 15, 1971. Photo: John Cowan. Image: Vogue Archive.

Saint Laurent unveiled the collection in Paris on January 29, 1971. Licensed Libération patterns were available from Vogue the next season, photographed by the late Frank Horvat.

1970s Yves Saint Laurent dress pattern - Vogue 2571
Vogue 2571 by Yves Saint Laurent (1971) Image courtesy of Paco Peralta.
1970s Yves Saint Laurent three-piece suit pattern - Vogue 2598
Vogue 2598 by Yves Saint Laurent (1971) Image courtesy of Paco Peralta.

The Libération dress pattern was also seen in this textiles ad:

Knit-Away: Your Personal Knitter. Polyester double-knit advertisement with Vogue 2571 by Yves Saint Laurent, 1971
Knit-Away ad featuring Vogue 2571 by Yves Saint Laurent, 1971.

But the most popular of the two designs was the signature suit. Gianni Penati photographed the pantsuit, made up in black velvet, at the Richard Feigen Gallery in New York.

Gianni Penati, Vogue 2598 velvet pantsuit by Yves Saint Laurent, 1971. Now you can have black velvet from one end of the day to the other.... A perfect pants tailleur, with a trim little blazer and cuffed legs, turned out today with a white turtleneck sweater (tonight, tomorrow—white silk shirt and tie, black satin ribbon in your hair.)... " Both velvets of Acele acetate and Enka rayon by Martin Fabrics. (Trifari earrings; sweater by Korrigan for Jax; shoulderbag by Bill Smith for Mark Cross; Yves Saint Laurent shoes.)
Black velvet for day: Vogue 2598 by Yves Saint Laurent, Vogue, August 15, 1971. Photo: Gianni Penati. Model: Lynn Woodruff. Image: Vogue Archive.

Saint Laurent’s smoking, reenvisioned as as an embroidered evening jacket, even made the cover of Vogue.

 Vogue purple logo; Model Lynn Woodruff wearing a Vogue Pattern embroidered fabric jacket with red ruffle rose; Max Factor make-up and hair by Arthur of Kenneth
Yves Saint Laurent evening jacket V2598 on the cover of Vogue, January 15, 1972. Photo: Gianni Penati. Model: Lynn Woodruff. Image: Vogue Archive.
Gianni Penati, Vogue 2598 jacket by Yves Saint Laurent, 1972.  KJL earrings, Echo Designs scarf; flower by Dulken and Derrick; Golo shoes. Roman Stripe tights.
Vogue 2598 by Yves Saint Laurent (Rive Gauche pants), Vogue, January 15, 1972. Photo: Gianni Penati. Model: Lynn Woodruff. Image: Vogue Archive.
John Cowan, Editha Dussler in Paris, Yves Saint Laurent Libération pantsuit, 1971.
Yves Saint Laurent Libération pantsuit in Vogue, March 15, 1971. Photo: John Cowan. Model: Editha Dussler. Image: Vogue Archive.

In memoriam: Alber Elbaz

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Tim Walker. Alber Elbaz with model in Lanvin, 2009
Alber Elbaz with model in Lanvin, 2009. Photo: Tim Walker. Image: The New Yorker.

Farewell to Alber Elbaz, the beloved designer for Guy Laroche, Saint Laurent, and Lanvin.

Read his New York Times obituary.

Chaque femme est une apparition: Carmen Kass photographed by Jean-Baptiste Mondino for Guy Laroche by Alber Elbaz Fall 1998 advertising campaign
Alber Elbaz for Guy Laroche Fall 1998 advertising campaign. Model: Carmen Kass. Photo: Jean-Baptiste Mondino. Image: Vogue Archive.

PatternVault 10th anniversary!

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Paolo Roversi: Alexander McQueen Fall 2021 by Sarah Burton
Alexander McQueen Fall 2021 by Sarah Burton. Photo: Paolo Roversi. Image: Vogue Runway courtesy of Alexander McQueen.

The PatternVault blog is ten! That’s a whole decade of writing about fashion, fine sewing, and the venerable tradition of paper patterns. If you’re curious about where it all began, check out my 2011 series on Alexander McQueen sewing patterns.

Singer Sphinx with 1920s McCall patterns. Image: PatternVault shop.

Yes, I’m still busy with the campaign to save the beautiful, historic St. Giles church here in Hamilton, Ontario. If you’re like me and you value historic buildings — or are concerned about the climate impact of demolition — you can sign the petition HERE.

St. Giles, Hamilton (Stewart & Witton, 1912–13) Photo: Cathie Coward. Image: The Friends of St. Giles.

As we leave the worst of COVID behind us, there is talk of a postpandemic boom, a new prosperity along the lines of the Roaring Twenties. (See Peter Coy, “The 1920s Roared After a Pandemic, and the 2020s Will Try,” and Dhara Ranasinghe, “Back to the future: 2020s to echo roaring 20s or inflationary 70s?“)

Will fashion follow suit? Sarah Burton’s Fall ’21 collection for McQueen features a new robe de style, reminiscent of Lanvin’s Colombine. (See top of post; on the Lanvin gown see my Selvedge article).

Lanvin's Colombine robe de style (hiver 1924–25) photographed by Katerina Jebb, 2014
Lanvin, “Colombine,” robe de style, hiver 1924–25. Collection Palais Galliera © Katerina Jebb, 2014. Image: Architectural Digest France.

As savvy collectors and long-standing readers of this blog will know, the craft of home-sewn couture flourished in the 1920s. The decade saw the first issues of Vogue Pattern Book and the launch of McCall’s earliest couture patterns.

1920s Patou Art Deco dress pattern - McCall 5047
McCall 5047 by Patou (1927) Ladies’ and Misses’ Two-Piece Dress.
Vogue 7884 illustration by Harriet Meserole on the cover of Vogue Pattern Book, December–January 1924–25
Vogue Pattern Book, December–January 1924–25. Illustration: Harriet Meserole. Image: Pinterest.
McCall Quarterly, Winter 1927–28 (Paris Fashion Number) Illustration: Ben-Hur Baz. Image: Debbie Zamorski.
McCall 5051 by Worth Paris, McCall Quarterly, Winter 1927–28. Illustration: Ben-Hur Baz. Image courtesy Debbie Zamorski.

What do you think? Is it time for a couture sewing renaissance?

Hand-painted couture coat in hammered velvet with fur collar. Karen Elson photographed by Elen von Unwerth in Fall 1997 Dior couture by John Galliano ("A Poetic Tribute to the Marchesa Casati"
John Galliano’s Casati-inspired Dior couture in “Bohemian Rhapsody,” Vogue, November 1997. Photo: Ellen von Unwerth. Editor: Grace Coddington. Model: Karen Elson. Image: Vogue Archive.

Paco Peralta 60

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Cover of Sew Today magazine, June 2021: model in Paco Peralta tunic pattern Vogue 1550 in linen with silk contrast. Text reads: FABRIC FOCUS: LINEN - SANDRA BETZINA: DOLMAN SLEEVES - QUICK PROJECT: EASY-TO-MAKE TOP
Paco Peralta tunic (V1550) on the cover of Sew Today magazine, June 2021. Photo: Tim Geaney. Image: Sewdirect.

Paco Peralta would have been 60 today. Peralta died in 2019, just after his 57th birthday.

On his birthday, I’m reflecting on the legacy of the late, great Barcelona couturier who gave so much to the sewing community.

Happy birthday, Paco — you’re in our thoughts today.

Paco Peralta: Vogue Patterns | In memoriam: Paco Peralta, 1962–2019 | VISIBLE feat. Paco Peralta

Cover of Sew Today magazine, March 2021: model Piyawan Chitsamran in Paco Peralta coat pattern Vogue 1619 in waxed polyester. Text reads: TRENDS - GENTLEWOMAN STYLE - COLOUR FORECAST - SWATCH WATCH - PERFECT PLEATS - TERRY FOX
Paco Peralta coat (V1619) on the cover of Sew Today magazine, March 2021. Photo: Jack Deutsch. Image: Sewdirect.

Dracula 125

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Dracula’s brides in Dracula (1931)
Dracula’s brides (Dorothy Tree, Geraldine Dvorak, and Cornelia Thaw) in Tod Browning’s Dracula (1931) Image: tumblr.

Happy World Dracula Day! Today is the 125th anniversary of Bram Stoker’s Dracula. Here’s a roundup for #Dracula125.

Max Schreck as Count Orlok in Nosferatu (1922), a Dracula adaptation celebrating its centenary this year.

My posts on gothic or vampire-inspired sewing:

Vogue 2604 by Nina Ricci photographed by Ishimuro for the cover of Vogue Patterns Magazine Nov/Dec 1980
Vogue 2604 by Nina Ricci on the cover of Vogue Patterns, November/December 1980. Photo: Ishimuro. Image: eBay.
Fascination du Noir: Nina Ricci couture photographed by Chris Simpson, September 1980
“Fascination du Noir”: Nina Ricci couture in L’Officiel, September 1980. Photo: Chris Simpson. Image: jalougallery.com.
Eiko Ishioka’s armour for Bram Stoker’s Dracula on the cover of Eiko on Stage (Callaway, 2000) Image: abebooks.
Early 1990s Donna Karan dress pattern - Vogue 1293
Donna Karan’s Fall 1993 collection was presented days after Eiko Ishioka won the costume design Oscar for Bram Stoker’s Dracula. Vogue 1293 by Donna Karan (1993)
"Courtly gestures" Perfectly plain: the right dresses have a top with the fit and ease of a body, and a dramatic bolt of fabric below the waist. High-neck, Empire-line dress in chestnut-brown velvet, opposite, left. Right, slash-neck wool gauze dress. Both by Donna Karan. (Headdresses Slim Barrett)
Nadja Auermann and Cecilia Chancellor wear Donna Karan in “Courtly Gestures,” British Vogue, December 1993. Photo: Mario Testino. Editor: Jayne Pickering. Image: The Fashion Spot.
Jill Stuart's sequined sheer camisole; Karl Lagerfeld's black viscose pants. Krizia lace gloves; Prada leather pumps.
W magazine, June 1997. Model: Danielle Z. Photographed in New Orleans by Ellen von Unwerth.
Sofia Coppola wears goth Anna Sui in Spur magazine, October 1997
Sofia Coppola wears Anna Sui FW ’97 (V2072) in Spur, October 1997. Photo: Satoshi Saikusa. Image: Bolton, Anna Sui.
1990s Begotten gothic dress pattern - Simplicity 8619
Simplicity 8619 by Begotten (1999) Image: Etsy.

In memoriam: Issey Miyake (1938 – 2022)

Fire and Blood: A House of the Dragon pattern

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Targaryen view of McCall’s 8335. Image: Issuu.

The Saturnalia begins today. Since ancient Rome was one of George R.R. Martin’s inspirations for Old Valyria, the Targaryen homeland, here’s a costume pattern inspired by House of the Dragon.

Costumes for HBO’s big-budget Game of Thrones spinoff were designed by French costume designer Jany Temime. An early collaborator of Alfonso Cuarón’s, Temime is best known for her work on the Harry Potter and James Bond films.

McCall’s dragon appliqué is a hint that its 2022 cape costume pattern is inspired by Rhaenyra Targaryen (ancestor of Daenerys).

“Capes of Thrones” in the McCall lookbook, Fall 2022. Image: Issuu.
Fantasy costume cape pattern McCall's 8335 (2022)
McCall’s 8335 (2022). Image: McCall’s.
Back view of red Targaryen cape pattern with dragon appliqué - McCall's 8335 (2022)
Back view of McCall’s 8335 (2022). Image: McCall’s.

Temime’s Targaryen costumes include several stunning dragon-embellished pieces:

Rhaenyra detail. Costume designer: Jany Temime. Image: Harper’s Bazaar / HBO.
Targaryen armour detail. Costume designer: Jany Temime. Image: Harper’s Bazaar / HBO.

Embellishment bonus: Did you know that Game of Thrones embroiderer Michele Carragher has a book out? Read more at her website.

Read all my posts on GRRM-inspired sewing:

Gary Gianni cover illustration for Fire and Blood (2019) Image: Subterranean Press / George R.R. Martin.

Neo-Egyptomania

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Neo-Egyptian cover of Needlecraft, June 1929. Illustration: Reginald P. Ward. Image: eBay.

The tomb of Tutankhamun was rediscovered in November, 1922, making 2022 the centennial of all things King Tut. Yet as an early McCall transfer pattern shows, Neo-Egyptomania was already underway:

4 long wing motifs 1 1/2 x 9 1/4 inches2 scarab motifs 1 1/2 x 1 1/4 inches, 16 scarab motifs 2 1/2 x 2 1/2 inches 4 yds. of 3/4-inch double banding (given in a double strip) 4 scarab and scroll motifs 2 3/4 x 6 inches 4 large motifs 8 x 14 inches
McCall 1039 (1920) Kaumagraph Transfer – Egyptian Design for Dress Trimming. Image: eBay.
McCall 1039 in McCall’s magazine, June 1920. Image: archive.org.

“Egyptian Design for Dress Trimming” (McCall 1039) dates to spring 1920, but was still being advertised three years later, explicitly referencing the King Tut trend.

In summer 1923, Anne Rittenhouse wrote, “Ancient Rome as well as ancient India supplies inspiration for the figurations you should put on your clothes. The famous mosaic design found on marble tables and on floors in Italy has crept upward to our gowns. Straight bands of it are used in what is known as spinal decoration, also for skirt hems and sleeves. If you do not like to omit Egyptian embroidery, which appears to be the Twentieth Amendment to the Fashion Constitution, use the lotus flower rather than Tut’s guardians of the tomb…” (“Embroidery Everywhere,” McCall News, Aug. 1923)

“Embroidery On Spring Frocks Shows The Egyptian Influence,” McCall’s magazine, May 1923. Image: archive.org.
Egyptian transfer - Pittsburgh Press 13 May 1923 p150
“Designs of Tut-Ankh-Amen”: Kaufmann’s ad featuring McCall 1039, The Pittsburgh Press, May 13, 1923. Image: Google books.

Contemporary fans of Egyptian embellishment can find a reproduction of the 1920s transfer on Etsy. Happy New Year!

Image: Vintage Pattern Lending Library on Etsy.
Egyptian backdrop on the cover of McCall Quarterly, Summer 1923. Image: Etsy.
Howard Carter and A.C. Mace, The Tomb of Tut-Ankh-Amen. Image: Weiser Antiquarian Books.

In memoriam: Mary Quant (1930 – 2023)

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Mary Quant and Alexander Plunket Greene on Park Avenue, photo by Ken Heyman for LIFE magazine, December 5, 1960.
Mary Quant with husband and business partner Alexander Plunket Greene on New York City’s Park Avenue, LIFE magazine, December 5, 1960. Photo: Ken Heyman. Image: LIFE archive.

Farewell to the legendary Mary Quant, a true fashion revolutionary. The influential British designer and lifestyle brand pioneer died earlier this month, at the age of 93.

Read the designer’s Vogue obituary. (New York Times obituary)

Year of the Dragon

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The Chinese Influence: McCall 3536 blouse pattern on the cover of McCall Printed Pattern Style News, January 1924.

This McCall’s leaflet illustrating “the Chinese influence” on fashion is 100 years old. The copy shown here originates from the E.W. Edwards & Son department store in New York.

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